‘Landman’ stars Demi Moore and Ali Larter score massive salary bumps for Season 3

Demi Moore and Ali Larter both negotiated massive salary increases going into Season 3 of “Landman,” according to a new report.

Moore, who plays Cami Miller in the drama, will make between $740,000 and $770,000 per episode, the same as her co-star Billy Bob Thornton, per Deadline.

While most of the cast members’ contract negotiations wrapped by April, Larter only reached an agreement recently — and more than doubled her paycheck.

The “Heroes” alum, who plays Angela, is now raking in around $350,000 an episode, the outlet revealed Tuesday.

Reps for Moore, Larter and Paramount+ have yet to respond to Page Six’s requests for comment.

In addition to Moore, 63, and Larter, 50, the entire original cast of the Paramount+ series, directed by Taylor Sheridan, will also see a large bump in their salaries this season.

Jacob Lofland and Michelle Randolph were upped to between $130,000 and $180,000 an episode, with Paulina Chavez, Kayla Wallace, Mark Collie and James Jordan following suit.

Thornton, 70, will be up for contract negotiations if “Landman” gets a fourth season, as he previously inked a three-year deal with year-to-year increases.

The show, based on the podcast “Boomtown,” debuted in 2024 and follows billionaires trying to get rich quick in the oil industry.

Production for Season 3 kicks off at the end of August in Fort Worth, Texas.

In addition to “Landman,” Sheridan is the mastermind behind “Yellowstone” and its “1883” and “1923” prequel series.

“Landman,” notably, will still air on Paramount+ despite the showrunner butting heads with network executives and signing a deal with NBCUniversal late last year.

Over the weekend, the “Yellowstone” creator, 56, eviscerated haters who criticize his creative process, saying, “F–k ’em, honestly.”

He praised the days “when Steve McQueen was a movie star at Paramount and Bobby Evans ran the studios,” explaining, “There weren’t endless rewrites. There weren’t meetings with executives about tone and mood and all this nonsense.”

The screenwriter added that, with him, “you’re not going to win no Emmys.”

“I’m not trying to,” Sheridan explained. “My goal is to sit somebody on their couch and move them, make them think, make them laugh, scare the s–t out of them, excite them. That’s what I want to do because that’s what I want from a show.”