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Every movie genre has had its defining film, and we are calling that movie ‘The Godfather’ of the genre here. It is the movie that not only defined a genre but also became its benchmark. The one that defined the rules, the visuals, and the feel of an entire genre. It is the one that newer directors still study, and audiences still come back to decades later.
We mean Alfred Hitchcock’s Rear Window for mystery movies, or The Lord of the Rings trilogy for fantasy movies, or The Dark Knight for superhero cinema.
So, here are the best films from 31 major movie genres. Not necessarily the first, not always the most awarded, but the most influential.
1 Historical – Lawrence of Arabia
David Lean’s sweeping epic is the gold standard of cinema in general and for historical cinema in particular. It doesn’t so much as recreate history as immerse you in it. The vast desert landscapes and a career-defining performance from the late Peter O’Toole make this the film every historical epic has been measured against ever since.
Where to watch (USA): Prime Video
2 Neo-Noir – Chinatown
Jack Nicholson and Faye Dunaway in Roman Polanski’s Chinatown, the film that redefined neo-noir cinema | Credits: Paramount PicturesRoman Polanski’s Chinatown took the hardboiled cynicism of classic noir and ran with it. The private investigator played by Jack Nicholson believes that every mystery can be solved. But that was before he realized how the world operates, and how power and corruption prevent any sort of justice from taking place.
The film’s ending is easily one of Hollywood’s bleakest, right up there with Se7en and Oldboy. Its depiction of moral decay became the DNA of the neo-noir forever after. “Forget it, Jake. It’s Chinatown”.
Where to watch (USA): Prime Video (rent)
3 Sci-Fi – 2001: A Space Odyssey
Stanley Kubrick’s 2001: A Space Odyssey transformed science fiction cinema into philosophical art | Credits: Metro-Goldwyn-MayerBefore Stanley Kubrick casually redefined the science fiction movie genre, it used to be about pulp. Kubrick turned it into philosophical art. Christopher Nolan and Denis Villeneuve, arguably two of the 21st century’s best sci-fi filmmakers, both count the filmmaker and this particular movie as their inspirations.
2001: A Space Odyssey is hypnotic, terrifying, grotesque, beautiful, and weird in ways directors have struggled to imitate ever since. Nearly every “serious” sci-fi movie owes Kubrick an immense debt.
Where to watch (USA): HBO Max
4 Western – The Good, the Bad and the Ugly
Clint Eastwood in a still from The Good, the Bad and the Ugly | Credits: © 1966 United Artists – MGMBefore Sergio Leone arrived at the scene with his spaghetti westerns, the genre was mainly populated with clean-cut morality tales. After him? They became dusty and operating epics about greed and violence. There is a reason why Clint Eastwood’s “Man with No Name” is still the cinematic embodiment of cool. The actor-filmmaker was born to play the role. Ennio Morricone’s theme is even today one of Hollywood’s more recognisable pieces of music. Every western since then has traces of Leone’s fingerprints.
Where to watch (USA): MGM+
5 Neo-Western – No Country for Old Men
Javier Bardem’s Anton Chigurh in No Country for Old Men | Credits: Paramount Vantage – MiramaxThe Coen brothers took the essence of the western and reconstituted it in a contemporary American setting. The horses were replaced by pickups, the revolvers by bolt pistols, but the motifs were eternal: destiny, bloodshed, and men whose time had passed. Javier Bardem’s Anton Chigurh is not a man in any way; he is death incarnate who roams the highways of Texas.
Where to watch (USA): Paramount+
6 Psychological Thriller – Psycho
Anthony Perkins’ Norman Bates in Psycho | Credits: Paramount PicturesHitchcock revolutionized the art of filmmaking through a shower scene and a violin shriek. Psycho shook up the established norms of cinema in that it murdered the supposed protagonist in the first act. This was new. It forced audiences into unfamiliar psychological territory.
Norman Bates, the villain who is responsible for one of cinema’s most terrifying twists, became the prototype for countless cinematic killers. With Psycho, Hitchcock proved horror could emerge from damaged minds, and not just ghosties and ghoulies.
Where to watch (USA): HBO Max
7 Fantasy – The Lord of the Rings: The Return of the King
Viggo Mortensen’s Aragorn in The Return of the King | Credits: New Line CinemaPeter Jackson adapted the supposedly unfilmable tome written by J.R.R. Tolkien, titled The Lord of the Rings, into perhaps cinema’s most perfect movie trilogy. He achieved something deemed impossible and also scripted Hollywood history. You had to be there. It was a sheer cultural phenomenon.
The movies featured sprawling battle sequences, awe-inspiring visuals of richly realized Middle-earth. That scene in The Lord of the Rings: The Return of the King wherein the Rohirrim led by Theoden (may great Bernard Hill rest in peace) arrive at Minas Tirith during the Battle of the Pelennor Fields and look despairingly at the hordes of Orcs assaulting the walls of the White City? That is a cinematic moment most filmmakers can only dream of.
Where to watch (USA): HBO Max
8 War – Saving Private Ryan
Steven Spielberg’s Saving Private Ryan redefined the realism and brutality of modern war cinema | Credits: Paramount PicturesYes, Apocalypse Now, Francis Ford Coppola’s hallucinatory descent into the madness of war, did strike our minds. And it remains one of the greatest films of the 20th century. But if we are purely focusing on a movie that fundamentally redefined how modern warfare looks and feels on screen, it has to be Steven Spielberg’s Saving Private Ryan. Its opening D-Day sequence has been etched permanently in our collective memory for the brutality of its visuals (that crazed man searching for his severed arm), sound design, and stunning realism.
Where to watch (USA): MGM+
9 Horror – The Exorcist
The Exorcist turned demonic possession into one of cinema’s most disturbingly believable nightmares | Credits: Warner Bros.Often called the scariest and best horror movie ever made, William Friedkin’s The Exorcist also made the horror genre respectable. There was a mythology surrounding the movie with reports of moviegoers fainting while watching it in theaters. That’s fine, but more than that, it grounded supernatural horror and practical visual effects in emotional realism.
It turned demonic possession into something disturbingly believable, in other words. The image of Regan slowly descending the staircase backwards still feels like something human beings were never meant to see.
Where to watch (USA): Prime Video (rent)
10 Adventure – Raiders of the Lost Ark
Harrison Ford’s Indiana Jones in Raiders of the Lost Ark | Credits: Paramount PicturesWith Raiders of the Lost Ark, Steven Spielberg and George Lucas invented the modern adventure blockbuster. It is a cut above all other adventure movies because it does it all and does it well. It’s funny. It’s dangerous. It’s heartfelt. It’s spectacular. The Mummy tried. National Treasure tried. Even its own sequels tried. No one comes close to capturing the same magic, the movie that not only invented the adventure movie but set the bar that no one else can match.
Where to watch (USA): Paramount+
11 Space Opera – Star Wars: Episode IV – A New Hope
Star Wars: Episode IV – A New Hope | Credits: Lucasfilm Ltd.From the samurai movies, Flash Gordon serials, Westerns, legends, and even inspiration taken from Frank Herbert’s novel Dune books, George Lucas crafted a wholly unique universe. Lucas took these influences and turned them into pure pop mythmaking. Star Wars turned space opera into a global cultural language. Lightsabers, John Williams’ thunderous score, Darth Vader, the “I’m your father” twist… It’s no longer just a movie franchise but modern folklore.
Where to watch (USA): Hulu
12 Historical Drama – Schindler’s List
Liam Neeson in Steven Spielberg’s Schindler’s List | Credits: Universal PicturesThe Holocaust masterpiece by Steven Spielberg, starring Liam Neeson, Ralph Fiennes, and Ben Kingsley, is not sentimental at all. Which is precisely why it is so utterly devastating. It is shot largely in black and white. It shows the systematic nature of evil with great precision, almost as a documentary film would. And yet, amidst all the horror, it manages to find flashes of humanity. Few movies have confronted mankind’s seemingly never-ending capacity for cruelty with such overwhelming power.
Where to watch (USA): Netflix
13 Noir – Sunset Boulevard
Gloria Swanson’s Norma Desmond in Sunset Boulevard | Credits: Paramount PicturesBilly Wilder’s Sunset Boulevard concentrated noir filmmaking down to its finest essence of Hollywood gloom. It is cynical, tragic, hilarious, and grotesque all at the same time. The portrayal of Gloria Swanson as Norma Desmond provided the quintessential example of stardom past its prime, while the film’s narration from a dead man introduced audiences to a world of inevitable doom that is noir.
Where to watch (USA): MGM+
14 Korean Thriller – Oldboy
Park Chan-wook’s Oldboy brought Korean thrillers to global audiences | Credits: Tartan FilmsPark Chan-wook’s Oldboy announced Korean cinema to much of the world with a hammer. We mean it literally and figuratively. It was stylish, violent, emotionally devastating, and utterly unpredictable right until the end. It showed global audiences that Korean thrillers could be more daring than anything Hollywood or any other industry was producing. It was the Korean wave before it had a name. That corridor fight scene alone, in which Oh Dae-su takes on multiple foes, has been copied endlessly all over the world.
Where to watch (USA): Kanopy
15 Action – Die Hard
Bruce Willis’ battered John McClane in Die Hard | Credits: 20th Century FoxPrior to Die Hard, action heroes were typically infallible, steroid-laden robots. That all changed with Bruce Willis‘s John McClane. He sweats, bleeds, panics, and barely survives. The “one-man-trapped-in-a-contained-location” motif would become one of the most imitated story arcs in action cinema history, spawning “Die Hard in an airplane,” “Die Hard in a bus,” and a thousand other permutations.
Where to watch (USA): Prime Video
16 Comedy – Airplane!
Leslie Nielsen’s deadpan performance in Airplane! helped redefine parody comedy forever | Credits: Paramount PicturesThe Zucker brothers elevated the art of parody. In Airplane!, they fire jokes and visual gags with deadpan surrealism at the viewers like machine guns. This movie cast a long shadow on all subsequent parody movies, and it showed that the genre could do without realism altogether, provided it maintained a high joke per minute rate.
Where to watch (USA): AMC+
17 Musical – Singin’ in the Rain
Singin’ in the Rain remains the gold standard of Hollywood musicals | Credits: Metro-Goldwyn-MayerNone of the musical movies comes close to the delight and effortlessness of Singin’ in the Rain, despite the fact that the actual filming process was allegedly quite draining. The image of Gene Kelly dancing in the rain would later come to be regarded as one of the most iconic images in all of cinema.
Where to watch (USA): HBO Max
18 Mystery – Rear Window
James Stewart and Grace Kelly in Rear Window | Credits: Paramount PicturesAlfred Hitchcock turned a man staring out of his apartment window into one of the most suspenseful mysteries ever made. Nearly the entire film unfolds from James Stewart’s perspective, trapping the audience inside his curiosity and paranoia as he becomes convinced one of his neighbors has committed murder.
The English auteur manages to make distance itself threatening in the movie, as even a look and every small movement seems ominous. By the end, Rear Window doesn’t just become a mystery about a crime, but about the unsettling human need to watch other people’s lives unfold.
Where to watch (USA): Prime Video (rent)
19 Romance – Casablanca
Ingrid Bergman and Humphrey Bogart in Casablanca | Credits: Warner Bros. PicturesMichael Curtiz’s Casablanca perfected the bittersweet romance. It is understood that love stories are often defined by timing as much as passion. There is an emotional resonance in the chemistry between Humphrey Bogart and Ingrid Bergman because they feel that their relationship will not last, despite how desperately they would like it to. The setting of the Second World War serves as the ideal atmosphere for the romantic, political, sacrificial, and mournful aspects of the story.
Where to watch (USA): HBO Max
20 Drama – The Godfather
Marlon Brando’s Don Corleone in The Godfather | Credits: Paramount PicturesThere is a reason the headline of this piece uses The Godfather as shorthand for the definitive example of greatness. Beneath the murders and mafia politics lies a sweeping family drama about power, legacy, capitalism, and the slow corruption of the soul.
Marlon Brando‘s character, Don Vito Corleone, immediately gained cinematic immortality. However, the true tragedy of the movie is embodied by Al Pacino‘s Michael. He is the reluctant heir whose journey will make him something colder and far more dangerous than his father. Few movies can feel as epic and personal at the same time. Every big-budget gangster crime thriller since then was born under its shadow.
Where to watch (USA): Paramount+
21 Superhero – The Dark Knight
Heath Ledger’s Joker in The Dark Knight, the performance that transformed superhero cinema forever.Christopher Nolan’s The Dark Knight broke boundaries in the superhero genre in its ability to take the mythology of comic books seriously enough to treat it as a sprawling crime epic. Christian Bale played a tortured Batman, weighed down by the symbolic mantle he dons on behalf of Gotham.
Ultimately, it is The Dark Knight’s ability to redefine the capabilities of superhero films that made it an instant classic. But he was not the film’s lead, not really. The lead was the late Heath Ledger as the Joker. He was not playing a villain but rather a man of utter chaos, joyfully shredding down the veneer of civilization to show how flimsy it really is.
Where to watch (USA): HBO Max
22 Cyberpunk – Blade Runner
Ridley Scott’s Blade Runner gave cyberpunk cinema its rain-soaked neon soul and existential dread | Credits: Warner Bros.Ridley Scott’s Blade Runner practically epitomized cyberpunk cinema. Its rain-soaked neon skylines, corporations, existential dread, blurred line between man and machine, and so on became the visual and thematic blueprint for the genre. Every cyberpunk movie, art, TV series, anime, or video game that followed would take some inspiration from this work. Oh, and the ‘tears in rain’ monologue still hits hard.
Where to watch (USA): Prime Video (rent)
23 Slasher – The Texas Chain Saw Massacre
Leatherface in The Texas Chain Saw Massacre | Credits: Bryanston Distributing CompanyIt was a toss-up between this and Halloween. And we went with this 1974 classic. While John Carpenter’s Halloween may have perfected the slasher movie template. But Tobe Hooper’s The Texas Chain Saw Massacre feels like the moment the genre was truly born. It screamed into existence. It was made on a shoestring budget, and you can see that if you look closely enough.
But the movie has this grimy, sunbaked realism that made us feel we were watching something we were not supposed to. It was like a nightmare come alive. The movie’s violence and the sense of helpless terror have now become part of slasher DNA.
Where to watch (USA): Prime Video
24 Mockumentary – This Is Spinal Tap
This Is Spinal Tap perfected the mockumentary format | Credits: Embassy PicturesRob Reiner’s This Is Spinal Tap was so convincing that some audiences initially thought the fictional rock band was real. The film perfected the mockumentary format. It captured the vanity and self-importance of rock musicians so accurately that it was truly scary. Its improvisational style became the blueprint for everything from The Office to What We Do in the Shadows (both show and movie). Lines like “these go to eleven” have entered pop culture vocabulary.
Where to watch (USA): HBO Max
25 Sports – Rocky
Sylvester Stallone’s Rocky Balboa became the ultimate underdog icon in sports cinema history | Credits: United ArtistsSylvester Stallone’s original Rocky is the quintessential underdog tale. But what makes it immortal is that it is not actually about boxing. Rocky Balboa is not fighting to become champion so much as to prove to himself that he is not a nobody. Stallone gave a raw performance. And that legendary training montage turned the film into pure cinematic inspiration.
Where to watch (USA): AMC+
26 Zombie – Night of the Living Dead
George A. Romero’s Night of the Living Dead invented the modern zombie apocalypse as we know it |Credits: Continental DistributingIt is safe to say that George Romero invented the modern zombie with Night of the Living Dead. Earlier, the word zombie meant a reanimated corpse tied to voodoo mythology. Romero transformed them into flesh-eating monsters who come in hordes. In the movie, they represent social collapse and the terrifyingly fragile nature of civilization.
Like many movies in this list, this movie was made on a tiny budget. Its grainy black-and-white aesthetic, though, actually worked in its favour. It only made it feel unsettlingly real. Every zombie movie, show, and video game owes its existence to Night of the Living Dead.
Where to watch (USA): AMC+
27 Biopic – Raging Bull
Martin Scorsese’s Raging Bull turns the boxing ring into a brutal arena of ego, rage, and self-destruction | Credits: United ArtistsMartin Scorsese’s Raging Bull delivered the inspirational biopic a knockout punch Raging Bull. This movie isn’t about a man who overcame adversity to achieve greatness, but rather a man who destroys everything he touches, from his own body to those around him.
Filmed in black-and-white with a rawness that borders on operatic, Scorsese makes Jake LaMotta’s life as a fighter almost poetic in its savagery. The lead performance by Robert De Niro stands out as one of the greatest actor transformations ever committed to film. This is a sports biopic as serious cinematic art.
Where to watch (USA): AMC+
28 LGBTQ – Brokeback Mountain
Brokeback Mountain transformed the modern Western into a tender, heartbreaking story about love and longing | Credits: Focus FeaturesBrokeback Mountain, directed by Ang Lee, revolutionized the portrayal of queerness in Hollywood films just by showing how a gay love story could be told with the same dramatic gravity normally reserved for tragic heterosexual romances. Jake Gyllenhaal and Heath Ledger give moving performances as two men who cannot come to terms with their love with the world around them. Its restrained nature only makes the film’s dramatic impact even greater.
Where to watch (USA): Prime Video (rent)
29 Animated – Spirited Away
Hayao Miyazaki’s Spirited Away blends dreamlike fantasy with loneliness and wonder in one of animation’s defining masterpieces | Credits: TohoSpirited Away by Hayao Miyazaki doesn’t seem like a film at all, but rather like stepping into a particularly vivid dream. Overflowing with Japanese folklore characters and fantastic creatures, as well as featuring breathtaking hand-drawn animation, this Studio Ghibli film opened the eyes of the whole world to the power of animation as a form of cinema equally profound and complex as any live-action movie. Underneath all of the fantasy and awe, there is a powerful story of human growth. Even decades later, filmmakers are still chasing the sense of magic Miyazaki created here.
Where to watch (USA): Netflix
30 Satire – Dr. Strangelove
Stanley Kubrick’s Dr. Strangelove turns nuclear annihilation into razor-sharp satire | Credits: Columbia PicturesWhen nuclear annihilation is hilarious. Stanley Kubrick managed that. And he did that without ever making it feel less terrifying than it does already. Kubrick took the Cold War politics and military bureaucracy as the theatre of the absurd. Dr. Strangelove exposed how the fate of humanity rested in the hands of deeply ridiculous men. The film’s dark humor still feels alarmingly relevant, perhaps even more so now. We, after all, live in an age where world-ending decisions rest in the hands of perfectly incapable people.
Where to watch (USA): Prime Video (rent)
31 Hong Kong (Heroic Bloodshed) – A Better Tomorrow
John Woo’s A Better Tomorrow defined heroic bloodshed cinema with its operatic gunfights, brotherhood, and impossible cool | Credits: Golden Princess AmusementWith its groundbreaking blend of slow-motion shootouts, dual guns, flying trench coats, and melodramatic themes of brotherhood and sacrifice, John Woo‘s A Better Tomorrow essentially birthed the genre of heroic bloodshed and elevated gunfights into the realm of dance. The film’s cool and effortless lead performance by Chow Yun-fat became legendary. Filmmakers such as Quentin Tarantino and the Wachowskis have taken inspiration from his kinetic approach to filmmaking.
Where to watch (USA): The Criterion Channel
Here are all these movies in a nutshell:
| Genre | Title | Release Year | Director | Main cast | IMDb (as of May 12, 2026) | Rotten Tomatoes (as of May 12, 2026) |
| Historical | Lawrence of Arabia | 1962 | David Lean | Peter O’Toole, Omar Sharif, Alec Guinness | 8.3/10 | 93% | 93% |
| Neo-noir | Chinatown | 1974 | Roman Polanski | Jack Nicholson, Faye Dunaway, John Huston | 8.1/10 | 98% | 93% |
| Sci-fi | 2001: A Space Odyssey | 1968 | Stanley Kubrick | Keir Dullea, Gary Lockwood | 8.3/10 | 90% | 88% |
| Western | The Good, the bad, and the Ugly | 1966 | Sergio Leone | Clint Eastwood, Lee Van Cleef, Eli Wallach | 8.8/10 | 97% | 97% |
| Neo-western | No Country for Old Men | 2007 | Coen Brothers | Tommy Lee Jones, Javier Bardem, Josh Brolin | 8.2/10 | 93% | 86% |
| Psychological thriller | Psycho | 1960 | Alfred Hitchcock | Anthony Perkins, Janet Leigh, Vera Miles | 8.5/10 | 97% | 95% |
| Fantasy | The Lord of the Rings: The Return of the King | 2003 | Peter Jackson | Elijah Wood, Viggo Mortensen, Ian McKellen | 8.9/10 | 91% | 95% |
| War | Saving Private Ryan | 1998 | Steven Spielberg | Tom Hanks, Matt Damon, Tom Sizemore | 8.6/10 | 94% | 95% |
| Horror | The Exorcist | 1973 | William Friedkin | Ellen Burstyn, Linda Blair, Max von Sydow | 8.1/10 | 78% | 87% |
| Adventure | Raiders of the Lost Ark | 1981 | Steven Spielberg | Harrison Ford, Karen Allen | 8.4/10 | 94% | 96% |
| Space opera | Star Wars: Episode IV – A New Hope | 1977 | George Lucas | Mark Hamill, Harrison Ford, Carrie Fisher | 8.6/10 | 94% | 96% |
| Historical drama | Schindler’s List | 1993 | Steven Spielberg | Liam Neeson, Ralph Fiennes, Ben Kingsley | 9.0/10 | 98% | 97% |
| Noir | Sunset Boulevard | 1950 | Billy Wilder | Gloria Swanson, William Holden | 8.4/10 | 98% | 95% |
| Korean Thriller | Oldboy | 2003 | Park Chan-wook | Choi Min-sik, Yoo Ji-tae | 8.3/10 | 82% | 94% |
| Action | Die Hard | 1988 | John McTiernan | Bruce Willis, Alan Rickman | 8.2/10 | 94% | 94% |
| Comedy | Airplane! | 1980 | Zucker Brothers | Robert Hays, Leslie Nielsen | 7.7/10 | 97% | 89% |
| Musical | Singin’ in the Rain | 1952 | Gene Kelly & Stanley Donen | Gene Kelly, Debbie Reynolds | 8.3/10 | 100% | 95% |
| Mystery | Rear Window | 1954 | Alfred Hitchcock | James Stewart, Grace Kelly | 8.4/10 | 99% | 95% |
| Romance | Casablanca | 1942 | Michael Curtiz | Humphrey Bogart, Ingrid Bergman | 8.5/10 | 99% | 95% |
| Drama | The Godfather | 1972 | Francis Ford Coppola | Marlon Brando, Al Pacino, James Caan | 9.2/10 | 97% | 98% |
| Superhero | The Dark Knight | 2008 | Christopher Nolan | Christian Bale, Heath Ledger | 9.1/10 | 94% | 94% |
| Cyberpunk | Blade Runner | 1982 | Ridley Scott | Harrison Ford, Rutger Hauer | 8.1/10 | 89% | 91% |
| Slasher | The Texas Chainsaw Massacre | 1974 | Tobe Hooper | Marilyn Burns, Gunnar Hansen | 7.4/10 | 85% | 82% |
| Mockumentary | This is Spinal Tap | 1984 | Rob Reiner | Christopher Guest, Michael McKean | 7.9/10 | 98% | 92% |
| Sports | Rocky | 1976 | John G. Avildsen | Sylvester Stallone, Talia Shire | 8.1/10 | 93% | 69% |
| Zombie | Night of the Living Dead | 1968 | George A. Romero | Duane Jones, Judith O’Dea | 7.8/10 | 95% | 87% |
| Biopic | Raging Bull | 1980 | Martin Scorsese | Robert De Niro, Joe Pesci | 8.1/10 | 92% | 93% |
| LGBTQ | Brokeback Mountain | 2005 | Ang Lee | Heath Ledger, Jake Gyllenhaal | 7.7/10 | 88% | 82% |
| Animated | Spirited Away | 2001 | Hayao Miyazaki | Rumi Hiiragi, Miyu Irino | 8.6/10 | 96% | 96% |
| Satire | Dr. Strangelove | 1964 | Stanley Kubrick | Peter Sellers, George C. Scott | 8.3/10 | 98% | 94% |
| Hong Kong (Heroic Bloodshed) | A Better Tomorrow | 1986 | John Woo | Chow Yun-fat, Ti Lung, Leslie Cheung | 7.4/10 | 95% | 90% |
The following are the answers to a few questions you might have about these movies:
Why are so many of these films decades old?
Because truly genre-defining movies tend to reshape cinema permanently. Many newer films are brilliant, but the movies on this list changed the grammar of filmmaking itself.
Can one movie belong to multiple genres at once?
Absolutely. In fact, many of the greatest films do. The Dark Knight is both a superhero movie and a crime thriller. The Godfather is simultaneously a gangster film and a family drama.
Why do some genres have movies from outside Hollywood while others do not?
Because great cinema has never belonged to just one country or industry. A list about genre-defining films would feel incomplete without acknowledging global cinema.
Agree with our picks? Furious that we chose The Texas Chain Saw Massacre over Halloween or Saving Private Ryan over Apocalypse Now? Let us know in the comments below!
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